Support Center Workflows Surround and spatial streaming

The surround mix, in a browser.

How to downmix and stream multi-channel surround and spatial audio from your DAW to remote clients on Zoom, Meet, Teams or Source-Nexus Gateway, using the downmixer inside Source-Nexus Review.

The director has headphones, and your mix has a room

You are on a multi-channel pass and the review is remote. The people who need to hear it are not sitting in a room with speakers behind them; they are on a laptop, wearing whatever they own, and you still need a verdict on dialogue clarity and on how the thing folds down.

Source-Nexus Review has a downmixer built into the plugin, so the fold-down happens on the bus rather than in a hardware box or a bounce. You choose a translation target, balance it, check it against the real mix, and send the result wherever the client already is — a browser room, or the conferencing app they were going to open anyway.

Before you start

Source-Nexus Review Source-Nexus Suite Source-Nexus Gateway
  • Source-Nexus Review, the plugin that carries both the stream and the downmixer. If it is new to you, start at Introducing Source-Nexus Review and the quick start checklist.
  • A surround or spatial session in a DAW that can host the plugin — the card names Pro Tools, Nuendo and Logic Pro — with a surround master fader or monitoring bus to insert on.
  • The Source-Nexus Suite virtual drivers, which is what the plugin’s output is routed into before a browser or a conferencing app can select it.
  • A destination, chosen before you start: a Source-Nexus Gateway room, or Zoom, Google Meet or Microsoft Teams. Steps 6 and 7 are the two routes; you only need one of them.
  • A talkback path back, if you want notes rather than silence: Review carries client talkback into your own monitoring on the From Nexus Chat node.

Eight steps, in order

  1. Insert Review on the surround bus. Open your spatial or surround session and insert the Source-Nexus Review plugin on the main surround master fader or surround monitoring bus, rather than on an individual stem.
  2. Choose the downmix translation target. Right-click the Advanced Settings button in the plugin window and, under Process Mode, pick one: the Apple Spatial / Binaural Downmixer, for a client listening on headphones, or the Plain Downmixer, which folds the multichannel audio down to a standard stereo reference.
  3. Set the pan law and confirm the channel configuration. Select your target Pan Law, which defaults to 3 dB constant gain, and check that the Channel Configuration in the plugin matches the source track it is inserted on.
  4. Balance the fold-down. Click the Downmixer Advanced View button to open the individual channel faders and panning controls, and adjust the centre dialogue, LFE and surround channel gain for the stereo the client is actually going to hear.
  5. A/B it against the real mix. Use the A/B Toggle button to switch back and forth between your raw surround mix and the downmixed stream, and listen for phase alignment and balance. Do this before anyone joins, not while they are waiting.
  6. Either send it to a Gateway room. Map the To Nexus Chat path in Source-Nexus Review to your Nexus Broadcast driver, open Source-Nexus Gateway in your browser, select Nexus Broadcast as the microphone input, and share the room link with your client.
  7. Or send it into Zoom, Meet or Teams. Route the plugin output to a virtual driver, then select that driver as the primary microphone or audio input device inside Zoom, Google Meet or Microsoft Teams.
  8. Run the review. Play the timeline. Remote participants receive the binaural or stereo translation of your surround mix without installing extra drivers or owning a multichannel speaker setup, and their talkback comes back through the From Nexus Chat node into your headphones, isolated from your DAW master mix.

How you know it worked

  • The A/B toggle is boring. Switching between the surround mix and the fold-down does not move the dialogue, collapse the image or change what you would do next.
  • The client is hearing the downmix, not a channel of it. A fold-down that arrives as the front pair alone is a channel configuration that does not match the bus.
  • Nothing was bounced. The thing the client is listening to is the session, playing, right now.
  • Their notes reach you and go nowhere else — into your monitoring, not onto the master mix and not back out to the room.

The things that actually go wrong

Each one has a support article under it. These are the pages to open with the review still live, not afterwards.

The fold-down does not sound like the mix

That is the downmixer’s own settings: process mode, pan law, channel configuration and the per-channel balance. Its article is the one that owns every one of those controls, and this page deliberately recommends no values.

Using the Surround Audio Downmixer

The conferencing app will not take the stream

Zoom, Meet and Teams each accept one audio input device, and the one you want is the virtual driver rather than your interface. The platform article covers what each one expects.

Using Source-Nexus Review with Google Meet, Zoom and other platforms

The Gateway room is silent

The broadcaster side has its own pairing between Review and the room, and the input the browser picks is chosen in the room rather than in the plugin.

Using Source-Nexus Review with the Source-Nexus Gateway broadcaster

Where this comes from

The official support hub

The downmixer guide the card names as its source, inside the Source-Nexus Review user guide that documents the rest of the plugin.

The Source-Nexus Review User Guide

The rest of the pipeline

Where the virtual drivers this page routes into come from, and what the other five Suite components are doing around them.

The Source-Nexus Suite as one pipeline

When there is talent on the other end

The same room, used to direct a performance rather than to present a mix, with Source-Connect carrying the voice.

Directing a remote voiceover session

All Source Elements workflows

The people already working this way